Pandia Nadu Movie Review

CAST AND CREW1 of 3
output: Vishal 
Cast: Bharathiraja, Lakshmi Menon, Vikranth, Vishal 
Direction: Suseenthiran 
Screenplay: Suseenthiran 
Story: Suseenthiran 
backdrop score: D. Imman 
Cinematography: R. Madhi 
Dialogues: Suseenthiran 
revising: Antony 
Stunt choreography: Anal Arasu 
Dance choreography: Shobi 
vocalists: Anand Aravindakshan, Anthonydasan, Hariharasudan, Natraj, Pawan, Pazhaniyammal, Ramya Nambeesan, Suraj Santhosh 
Lyrics : Vairamuthu 
PRO: Jhonson 
circulation: Vishal movie Factory 
Pandianadu undoes with the death of Madurai’s kingpin which arises a tension between his trusted aides, Raja and Ravi, over who’s the ideal successor to the throne. The ruthlessness of these extortionists would arrive to exactly sway an commonplace house. What occurs then, is the story.

After the attentively hard-hitting Aadhalal Kadhal Seiveer, Suseenthiran organises a commercial movie with a easy article about settling tallies, but the controller double-checks that his narration is interesting and entertaining at the identical time. Suseenthiran profits from admiration for not taking the assembly for granted with over the top heroism and highly illogical scenarios. He is furthermore gradually proving to be one of the versatile directors in the circuit. 

Even as the assembly are organising themselves for the revenge saga the controller hurls in rather a couple of moments of shocks through suspenseful set-pieces like the Conoor sketch and the bus-station sequence boasting Bharathiraja. instants like these are abounding in Pandianadu and will keep you firmly engaged in the film. furthermore, despite the brutal turn of events, the film somehow organises to stay fixed to being about familial standards.

For Vishal, this is by far his most endearing function till date. As the soft and gentle mannered Shivakumar he sheds his activity hero likeness and presents with a calm self-assurance which appears to arrive from the faith he has in the director and the article. His feature has a stammering issue but the controller makes certain that it isn’t an overbearing quirk that happens needlessly throughout the movie. His feature arc in the second half is well in writing and identically well executed by the player on computer display and he has the assembly buying his mode of reprisal.

Lakshmi Menon one time again impresses with her assortment of functions that suits her character. While she has little to do here she recalls us with tiny nuances that she is really a gifted actress. Soori has instants to do his usual usual but the script offers him more in the scheme of things. Vikranth makes a good comeback in a short function which claims a feisty performance. Sharath Lohithaswa is rather productive as the menacing villain and uses his expressive eyes to characterise his cold blooded nature. Harish, as his aide, is imposing with his large-scale border as Bharani. Bharathiraja’s casting as Vishal’s dad is a expert stroke from the controller and the connection between the two is attractively characterised in the end. What a presentation from the veteran controller !

Anal Arasu’s stunt choreography is decisively one of the film’s best features. The action blocks are well conceived considering that the movie has no room for heroism. The climax battle in particular appears natural in the way the hero uses anything props he can find to articulate his fury.

Madhie’s visuals have a native feel and tone which matches the article rather than being fashionably slick. There is also a subtle gold tint in the frame maintained all through the movie, upping the tension. He experiments with his shutter pace in a specific action view which adds some more drama. reviewer Antony’s work is pointed and double-checks that the 2 hours and 28 minutes are evenly paced.

Imman’s songs are picturized routinely in the heart and veins of Madurai, the temples and alleyways, except for ‘Fy fy’ which comes over as the only compelled moment of the whole film. Imman is furthermore bright with the backdrop score, serving as the backbone of the movie.

In the end, Pandianadu is a well written financial movie backed by remarkable performances and lives up to its dark-horse mark prior to its issue.
Verdict: Vishal and Suseenthiran hit with reprisal !3.25